The Screenwriter's Survival Guide: Or, Guerrilla Meeting Tactics and Other Acts of War Review

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The Screenwriter's Survival Guide: Or, Guerrilla Meeting Tactics and Other Acts of War ReviewThis book is a must for intermediate and advanced writers.
If you know the basics before you read, this book will be a ray of light that can save you months and years of struggle. It reads fast. Has depth. Feels like you're getting a pep talk from your big sister. Enjoy. I did.
This is not a manual on how to write. It's not a book on structure. It won't be what a brand new "newbie" will need. This book will be most useful to a screenwriter that's already read a book or two on story structure (Field, McKee, Campbell, or, my favorite, Seger), knows the basics of format (Trottier, Cole/Haag), and has written a MINIMUM of one screenplay.
What will it do? It'll give you experience. It doesn't say don't do this and don't do that. It says think before you do this and here's why.
It touches on parantheticals, overwriting, and other writing minefields. It focuses on methods of querying, who to avoid and the danger signs when sending out your work (BIG "NEW" POINT: learn this, understand it, live it), reading fees and the various services, the competition route into Hollywood, how to submit work, and provides opinions on the usefulness of various resources. Unlike other books of the "how to sell" sort, it comes from a writer that's sold in the '90s and not the 1890's. Hollywood changes fast.
Most importantly, it tells you what to do after you get sold. Other books cover "how to write" or "how to sell", but this book tells you what to do after you sell. That's rare. Mentioning the career of a screenwriter and not making a quick buck? Wow. For you that want a writing career, this is a gem. So many other books figure you'll figure it out as you go along. Well, if you don't like pain and wasted time, this books for you.
Also, in answer to the SINGLE negative review, most writers are aware that you shouldn't judge a writer by the resulting movie. In this case, "Excess Baggage". Read the script. It's amazing. It's the reason it got sold. Forget the film. Enjoy the script. Any comparisons to Syd Field or other gurus reveals the level of the writer -- brand new. It will help the brand new writer. However, that's not the intended audience. This for those who are serious about their dreams.
I hope this helps in your decision to pick up a delightful read.The Screenwriter's Survival Guide: Or, Guerrilla Meeting Tactics and Other Acts of War Overview

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