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Power Screenwriting: The 12 Stages of Story Development ReviewWe've all suspected it, but Walker reveals definitively how and why movies spring from and reflect our wildest dreams and aspirations, as well as our deepest fears and nightmares. It may seem obvious to many, but somehow with the insights and invaluable techniques he offers and explains in detail, he makes the film writer feel the weight of the world's problems squarely on their shoulders-- and that the ability to remedy them lies within the wordsmith's mind and craft, as well.When I bought the book after a personal book signing appearance and lecture I thought was merely adding to my already extensive collection of screenwriting guides. I've noticed every time I hit a wall in my thought and development process I would buy another book. What I found with Power Screenwriting was much, much more. Here was the exact process of 'worrying' a story into completion before me. I didn't have to stop and turn to a thousand different manuals or discarded workbooks. I felt I could do my thing and then when I was stuck I could turn to this brilliantly laid out 12 stage approach and find the exact answer I was looking for. Plus,Power Screenwriting encourages and shows you how to write stories from a deep psychological and archetypal level, so that your stories have the greatest impact on the mind of the moviegoer possible. Walker places the onus of social evolution and conscious thought on the screenwriters, mythmakers and storytellers of today, and that writing for film is not just some casual extracurricular past time, but a noble 'calling' for the greatest creative engineers of each generation. I wholly concure and with this book believe I can really achieve so lofty a goal.
Also recommended: The Power of Myth by Joseph Campbell The Art of Dramatic Writing by Lajos Egri The Courage to Create by Rollo MayPower Screenwriting: The 12 Stages of Story Development OverviewBeyond Joseph Campbell and the much ballyhooed hero's journey, Michael Chase Walker takes the aspiring screenwriter into the rarely discusses alternative structures of outlaw stories, inverted myths and Messiah tales.
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